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“…a real, rough and deep sound, but always bright. A snip of warmth that from the Pre-Alps breaks into the dreary Pianura Padana.”
“…a fascinating and indolent version of the theme Indagine…Lillah by Kaled becomes a model of the Kingston of the sixties…in general a vocation to mess up the commonplaces of the genre that deserves attention.”
“…the album frankly communicates its spontaneity and turns on the necessity of a stage beneath which you can swing or a vinyl that rustle greedily…the covers chosen are ingenious…” (Mario Branciforti – www.rockit.it, February 2001)
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